| ELA:
Grade 11 - READING
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Standard One
Standard Two
Standard Three
Standard Four
Literary Competencies
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Standard 1: Students will read, write, listen, and speak for information and understanding. |
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11.1.R.1 |
Locate and use school, public, and academic library resources for information and research |
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11.1.R.2 |
Read and follow written directions and proce-dures to solve problems and accomplish tasks
use workplace documents and technical manuals |
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11.1.R.3 |
Identify and evaluate the reliability and validity of informational sources |
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11.1.R.4 |
Check the consistency of hypothesis with given information and assumption |
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11.1.R.5 |
Analyze and synthesize information from different sources, making connections and showing relationships to other texts, ideas, and subjects and to the world at large |
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Standard One
Standard Two
Standard Three
Standard Four
Literary Competencies
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Standard 2: Students will read, write, listen, and speak for literary response and expression. |
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11.2.R.1 |
Read, view, and interpret texts and performances in every medium (e.g., short stories, novels, plays, film and video productions, poems, and essays) from a wide variety of authors, subjects, and genres
build background by activating prior knowledge through questioning what they already know about the form in which the story is presented and the period in which it was written |
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11.2.R.2 |
Read, view, and respond independently to literary works that represent a range of social, historical, and cultural perspectives
monitor their own comprehension by questioning, reviewing, revising, and rereading to enhance overall comprehension |
- Navigating Modernism with J. Alfred Prufrock
- Chaucer's Wife of Bath
- Kate Chopin's The Awakening: Searching for Women and Identity in Chopin's The Awakening
- Kate Chopin's "The Awakening:" No Choice But Under?
- Kate Chopin's "The Awakening" : Chopin, Realism, and Local Color in late 19th Century America
- Thirteen Ways of Reading a Modernist Poem
- Quest for the American Dream in "A Raisin in the Sun"
- Charlotte Perkins Gilman's "The Yellow Wall-paper": Writing Women in Turn-of-the-Century (1890s-1910s) America
- The "Secret Society" and Fitzgerald's The Great Gatsby
- Book Report Alternative: Characters for Hire! Studying Character in Drama
- Perspectives on the Slave Narrative
- Pioneer Values in Willa Cather's My Antonia
- From Courage to Freedom: The Reality Behind the Song
- From Courage to Freedom: Slavery's Dehumanizing Effects
- From Courage to Freedom
- Lessons of the Indian Epics: The Ramayana
- Lessons of the Indian Epics: Following the Dharma
- Profiles in Courage: Harper Lee's To Kill a Mockingbird
- Varying Views of America
- Childhood Remembrances: Life and Art Intersect in Nikki Giovanni's "Nikki-Rosa"
- What Did They Say? Dialect in "The Color Purple"
- Review Redux: Introducing Literary Criticism Through Reception Moments
- "Gulliver's Travels" Travelogue: Student Interactive
- Biographer's Interview: Student Interactive
- "Esperanza Rising": Not Being Afraid to Start Over
- Mental Health Through Literature
- Mark Twain, An American Icon: Student Interactive
- Faulkner's "The Sound and the Fury": Narration, Voice, and the Compson Family's New System
- Exploring Setting: Constructing Character, Point of View, Atmosphere, and Theme
- Examples of Transcendental Thought: Student Interactive
- Designer Seeds
- Analyzing and Comparing Medieval and Modern Ballads
- Analyzing a World War II Poster: Student Interactive
- Analyzing a Visual Message: Student Interactive
- Analyzing the Stylistic Choices of Political Cartoonists
- Assessing Cultural Relevance: Exploring Personal Connections to a Text
- Exploring Audience and Purpose with a Single Issue
- Exploring Irony in the Conclusion of "All Quiet on the Western Front"
- Faulkner's "The Sound and the Fury": April Eighth, 1928: Narrating from an "Ordered Place"?
- Haven't I Seen You Somewhere Before? Samsara and Karma in the Jataka Tales
- Introducing Jane Eyre: An Unlikely Victorian Heroine
- Nathaniel Hawthorne and Literary Humor
- New Takes on Old Tales
- Thinking Inductively: A Close Reading of Seamus Heaney's "Blackberry Picking"
- Pearl S. Buck: "On Discovering America"
- Say Hi to Haibun Fun: Student Interactive
- Slavery's Dehumanizing Effects: Student Interactive
- Think-Aloud Predictions for "Young Goodman Brown": Student Interactive
- Understanding the Context of Modernism: Student Interactive
- Varying Views of America: Student Interactive
- Slavery's Opponents and Defenders
- Comparing a Literary Work to Its Film Interpretation
- Crane, London, and Literary Naturalism
- Creating Better Presentation Slides through Glance Media and Billboard Design
- Designing Museum Exhibits for "The Grapes of Wrath": A Multigenre Project
- Language and Power in "The Handmaid's Tale" and the World
- Exploring "A Streetcar Named Desire"
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11.2.R.3 |
Read literary criticism to increase comprehension and appreciation of literary texts
use a variety of written responses, such as double-entry journals and reading logs, to integrate new concepts with existing knowledge |
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11.2.R.4 |
Compare a film, video, or stage version of a literary work with the written version |
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11.2.R.5 |
Read literary texts aloud to convey an interpretation of the work |
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11.2.R.6 |
Interpret multiple levels of meaning and subtleties in text
engage in a variety of collaborative conversations, such as peer-led discussions, paired reading and responding, and cooperative group discussions, to construct meaning |
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11.2.R.7 |
Recognize and analyze the relevance of literature to contemporary and/or personal events and situations |
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Standard One
Standard Two
Standard Three
Standard Four
Literary Competencies
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Standard 3: Students will read, write, listen, and speak for critical analysis and evaluation. |
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11.3.R.1 |
Form opinions and make judgments about the validity of interpretive texts |
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11.3.R.2 |
Analyze and evaluate nonfiction
identify text structure, using supports such as graphic organizers
preview a text (e.g., in order to build a schema), noticing structural markers, such as headings and subheadings
identify the particular kinds of language used in particular texts |
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11.3.R.3 |
Analyze and evaluate fiction, including the effect of diction and figurative language
use a variety of written responses, such as double-entry journals and reading logs, to identify literary elements and evaluate their effectiveness |
- Charlotte Perkins Gilman's "The Yellow Wall-paper": Writing Women in Turn-of-the-Century (1890s-1910s) America
- Faulkner's "As I Lay Dying": Form of a Funeral
- Faulkner's "As I Lay Dying": Family Voices In "As I Lay Dying"
- Faulkner's "As I Lay Dying": Crossing the River
- Faulkner's "As I Lay Dying": Concluding the Novel
- The Pros and Cons of Discussion
- Faulkner's "As I Lay Dying": Images of Faulkner and the South
- Faulkner's "As I Lay Dying": Burying Addie's Voice
- What Did They Say? Dialect in "The Color Purple"
- Connotation, Character, and Color Imagery in "The Great Gatsby"
- "Gulliver's Travels" Travelogue: Student Interactive
- "Esperanza Rising": Not Being Afraid to Start Over
- Mental Health Through Literature
- Knowledge or Instinct? Jack London's "To Build a Fire"
- Faulkner's "The Sound and the Fury": Narration, Voice, and the Compson Family's New System
- Faulkner's "The Sound and the Fury": Narrating Quentin's Mental Breakdown
- Faulkner's "The Sound and the Fury": Benjy's Sense of Time and Narrative Voice
- Exploring Setting: Constructing Character, Point of View, Atmosphere, and Theme
- Developing Characterization in Raymond Carver's "A Small, Good Thing"
- Faulkner's "The Sound and the Fury": April Eighth, 1928: Narrating from an "Ordered Place"?
- What's My Subject? A Subject-Verb Agreement Minilesson
- Stephen Crane's "The Open Boat": Student Interactive
- Stephen Crane's "The Open Boat"
- Story Mapping: Student Interactive
- Teaching Plot Structure Through Short Stories: Student Interactive
- The Elements of Fiction: Student Interactive
- The Importance of Titles: From Big Blank Space to Small Good Thing
- Think-Aloud Predictions for "Young Goodman Brown": Student Interactive
- Weaving the Old into the New: Pairing "The Odyssey" with Contemporary Works
- Comparing a Literary Work to Its Film Interpretation
- Crane, London, and Literary Naturalism
- A "Brief, Urgent Message": Theme in "Slaughterhouse-Five"
- Designing Museum Exhibits for "The Grapes of Wrath": A Multigenre Project
- If a Body Texts a Body: Texting in The Catcher in the Rye
- Language and Power in "The Handmaid's Tale" and the World
- Narrative Structure and Perspectives in Toni Morrison's "Beloved"
- There Are No Small Parts: Minor Characters in "David Copperfield"
- Personal or Social Tragedy? A Close Reading of Edith Wharton's "Ethan Frome"
- Exploring "A Streetcar Named Desire"
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11.3.R.4 |
Form opinions and make judgments about literary works, by analyzing and evaluating texts from more than one critical perspective, such as psychological |
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11.3.R.5 |
Select, reject, and reconcile ideas and information in light of biases |
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11.3.R.6 |
Make judgments about the quality of literary texts and performances by applying personal and academic criteria, such as that found in literary criticism and in political, historical, and scientific analysis |
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Standard One
Standard Two
Standard Three
Standard Four
Literary Competencies
Top
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Standard 4: Students will read, write, listen, and speak for social interaction. |
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11.4.R.1 |
Share reading experiences with a peer or adult; for example, read together silently or aloud and discuss reactions to texts |
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11.4.R.2 |
Consider the age, gender, social position, and cultural traditions of the writer |
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11.4.R.3 |
Recognize the types of language (e.g., informal vocabulary, culture-specific terminology, jargon, colloquialisms, and email conventions) that are appropriate to social communication |
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Standard One
Standard Two
Standard Three
Standard Four
Literary Competencies
Top
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Literacy Competencies |
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11.LC.R.0 |
Reading A literacy competency strand for grades 9-12 Reading is under development and will be posted when available. |
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