| ELA:
Grade 10 - READING
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Standard One
Standard Two
Standard Three
Standard Four
Literary Competencies
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Standard 1: Students will read, write, listen, and speak for information and understanding. |
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10.1.R.1 |
Locate and use school and public library resources for information and research
set purpose for reading by asking questions about what they need to know for their research |
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10.1.R.2 |
Use specialized reference sources, such as glossaries, directories, and abstracts |
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10.1.R.3 |
Read and follow written directions and proce-dures to solve problems and accomplish tasks
use workplace documents |
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10.1.R.4 |
Skim texts to gain an overall impression and scan texts for particular information
focus on key words/phrases to generate questions |
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10.1.R.5 |
Identify and evaluate the reliability and validity of informational sources |
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10.1.R.6 |
Recognize unstated assumptions |
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10.1.R.7 |
Distinguish verifiable statement from hypothesis |
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10.1.R.8 |
Analyze information from different sources, making connections and showing relationships to other texts, ideas, and subjects
employ a range of post-reading practices to think about new learning and plan further learning |
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Standard One
Standard Two
Standard Three
Standard Four
Literary Competencies
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Standard 2: Students will read, write, listen, and speak for literary response and expression. |
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10.2.R.1 |
Read, view, and interpret texts and performances in every medium (e.g., short stories, novels, plays, film and video productions, poems, and essays) from a wide variety of authors, subjects, and genres
build background by activating prior knowledge through questioning what they already know about the form in which the story is presented and the period in which it was written |
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10.2.R.2 |
Read, view, and respond independently to literary works that represent a range of social, historical, and cultural perspectives |
- Chaucer's Wife of Bath
- Kate Chopin's The Awakening: Searching for Women and Identity in Chopin's The Awakening
- Kate Chopin's "The Awakening:" No Choice But Under?
- Kate Chopin's "The Awakening" : Chopin, Realism, and Local Color in late 19th Century America
- Profiles in Courage: To Kill a Mockingbird and the Scottsboro Boys Trial
- Understanding the Context of Modernist Poetry
- Thirteen Ways of Reading a Modernist Poem
- Discovering a Passion for Poetry with Langston Hughes
- Quest for the American Dream in "A Raisin in the Sun"
- Charlotte Perkins Gilman's "The Yellow Wall-paper": Writing Women in Turn-of-the-Century (1890s-1910s) America
- The "Secret Society" and Fitzgerald's The Great Gatsby
- Book Report Alternative: Characters for Hire! Studying Character in Drama
- Perspectives on the Slave Narrative
- Pioneer Values in Willa Cather's My Antonia
- From Courage to Freedom: The Reality Behind the Song
- From Courage to Freedom: Slavery's Dehumanizing Effects
- From Courage to Freedom
- Lessons of the Indian Epics: The Ramayana
- Lessons of the Indian Epics: Following the Dharma
- Profiles in Courage: Harper Lee's To Kill a Mockingbird
- Varying Views of America
- Childhood Remembrances: Life and Art Intersect in Nikki Giovanni's "Nikki-Rosa"
- Review Redux: Introducing Literary Criticism Through Reception Moments
- "Gulliver's Travels" Travelogue: Student Interactive
- Biographer's Interview: Student Interactive
- Mental Health Through Literature
- Mark Twain, An American Icon: Student Interactive
- Faulkner's "The Sound and the Fury": Narration, Voice, and the Compson Family's New System
- Exploring Setting: Constructing Character, Point of View, Atmosphere, and Theme
- Examples of Transcendental Thought: Student Interactive
- Designer Seeds
- Analyzing and Comparing Medieval and Modern Ballads
- Analyzing a World War II Poster: Student Interactive
- Analyzing a Visual Message: Student Interactive
- "Old Southwest" Humorists and George Washington Harris
- A Collaboration of Sites and Sounds: Using Wikis to Catalog Protest Songs
- A Poem of Possibilities: Thinking about the Future
- Analyzing the Stylistic Choices of Political Cartoonists
- Assessing Cultural Relevance: Exploring Personal Connections to a Text
- Carl Sandburg's "Chicago": Bringing a Great City Alive
- Communicating on Local Issues: Exploring Audience in Persuasive Letter Writing
- Critical Literacy: Women in 19th-Century Literature
- Exploring Irony in the Conclusion of "All Quiet on the Western Front"
- Exploring Language and Identity: Amy Tan's "Mother Tongue" and Beyond
- Family Memoir: Getting Acquainted With Generations Before Us
- "Esperanza Rising": Not Being Afraid to Start Over
- Faulkner's "The Sound and the Fury": April Eighth, 1928: Narrating from an "Ordered Place"?
- From Dr. Seuss to Jonathan Swift: Exploring the History Behind the Satire
- From Friedan Forward-Considering a Feminist Perspective
- Haven't I Seen You Somewhere Before? Samsara and Karma in the Jataka Tales
- Inclusive Stories: Teaching About Disabilities With Picture Books
- Introducing Jane Eyre: An Unlikely Victorian Heroine
- Nathaniel Hawthorne and Literary Humor
- New Takes on Old Tales
- Thinking Inductively: A Close Reading of Seamus Heaney's "Blackberry Picking"
- Walt Whitman as a Model Poet: "I Hear My School Singing"
- Pearl S. Buck: "On Discovering America"
- Say Hi to Haibun Fun: Student Interactive
- Slavery's Dehumanizing Effects: Student Interactive
- Think-Aloud Predictions for "Young Goodman Brown": Student Interactive
- Understanding the Context of Modernism: Student Interactive
- Varying Views of America: Student Interactive
- Slavery's Opponents and Defenders
- Comparing a Literary Work to Its Film Interpretation
- Crane, London, and Literary Naturalism
- Creating Better Presentation Slides through Glance Media and Billboard Design
- Creating Character Blogs
- Designing Museum Exhibits for "The Grapes of Wrath": A Multigenre Project
- Language and Power in "The Handmaid's Tale" and the World
- Narrative Structure and Perspectives in Toni Morrison's "Beloved"
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10.2.R.3 |
Read literary criticism to increase comprehension and appreciation of literary texts, with assistance |
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10.2.R.4 |
Recognize how authors use tone to express their ideas or an attitude toward the subject matter or the audience |
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10.2.R.5 |
Distinguish between different forms of poetry, such as sonnet, lyric, elegy, narrative, epic, and ode, and recognize how the author uses poetic form to convey message or intent |
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10.2.R.6 |
Compare a film, video, or stage version of a literary work with the written version |
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10.2.R.7 |
Read literary texts aloud to convey an interpretation of the work |
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10.2.R.8 |
Interpret literary texts on the basis of an understanding of the genre and the literary period |
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10.2.R.9 |
Interpret multiple levels of meaning and subtleties in text |
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10.2.R.10 |
Recognize relevance of literature to contemporary and/or personal events and situations |
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Standard One
Standard Two
Standard Three
Standard Four
Literary Competencies
Top
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Standard 3: Students will read, write, listen, and speak for critical analysis and evaluation. |
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10.3.R.1 |
Form opinions and make judgments about the validity of persuasive texts |
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10.3.R.2 |
Generate a list of significant questions to assist with analysis of text |
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10.3.R.3 |
Analyze and evaluate nonfiction texts, including
determine the writer’s perspectives, purposes, and intended audiences
determine the reliability and significance of information
recognize the format and its significance to content |
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10.3.R.4 |
Analyze and evaluate poetry in order to recognize the use and effect of
sensory imagery
figurative language
verse form |
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10.3.R.5 |
Evaluate poetry to recognize the use and effect of verse form |
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10.3.R.6 |
Analyze and evaluate fiction, including
the background in which the text is written
the effect created by the author’s tone or mood |
- Tales of the Supernatural
- Charlotte Perkins Gilman's "The Yellow Wall-paper": Writing Women in Turn-of-the-Century (1890s-1910s) America
- "The Red Badge of Courage": A New Kind of Realism
- Mark Twain and American Humor
- "The Red Badge of Courage": A New Kind of Courage
- Faulkner's "As I Lay Dying": Form of a Funeral
- Faulkner's "As I Lay Dying": Family Voices In "As I Lay Dying"
- Faulkner's "As I Lay Dying": Crossing the River
- Faulkner's "As I Lay Dying": Concluding the Novel
- The Pros and Cons of Discussion
- Faulkner's "As I Lay Dying": Images of Faulkner and the South
- Faulkner's "As I Lay Dying": Burying Addie's Voice
- "Gulliver's Travels" Travelogue: Student Interactive
- "Esperanza Rising": Not Being Afraid to Start Over
- Mental Health Through Literature
- Knowledge or Instinct? Jack London's "To Build a Fire"
- Faulkner's "The Sound and the Fury": Narration, Voice, and the Compson Family's New System
- Faulkner's "The Sound and the Fury": Narrating Quentin's Mental Breakdown
- Faulkner's "The Sound and the Fury": Benjy's Sense of Time and Narrative Voice
- Exploring Setting: Constructing Character, Point of View, Atmosphere, and Theme
- Developing Characterization in Raymond Carver's "A Small, Good Thing"
- "Old Southwest" Humorists and George Washington Harris
- Exploring Irony in the Conclusion of "All Quiet on the Western Front"
- Faulkner's "The Sound and the Fury": April Eighth, 1928: Narrating from an "Ordered Place"?
- Haven't I Seen You Somewhere Before? Samsara and Karma in the Jataka Tales
- Introducing Jane Eyre: An Unlikely Victorian Heroine
- Nathaniel Hawthorne and Literary Humor
- Preparing a Character for a New Job: Character Analysis through Job Placement
- The Children's Picture Book Project
- The Comic Book Show and Tell
- When Less IS More-Understanding Minimalist Fiction
- Stephen Crane's "The Open Boat": Student Interactive
- Stephen Crane's "The Open Boat"
- Story Mapping: Student Interactive
- Teaching Plot Structure Through Short Stories: Student Interactive
- The Elements of Fiction: Student Interactive
- The Importance of Titles: From Big Blank Space to Small Good Thing
- Think-Aloud Predictions for "Young Goodman Brown": Student Interactive
- Weaving the Old into the New: Pairing "The Odyssey" with Contemporary Works
- Tracking the Ways Writers Develop Heroes and Villains
- Comparing a Literary Work to Its Film Interpretation
- Crane, London, and Literary Naturalism
- A "Brief, Urgent Message": Theme in "Slaughterhouse-Five"
- Creating Character Blogs
- Designing Museum Exhibits for "The Grapes of Wrath": A Multigenre Project
- If a Body Texts a Body: Texting in The Catcher in the Rye
- Narrative Structure and Perspectives in Toni Morrison's "Beloved"
- There Are No Small Parts: Minor Characters in "David Copperfield"
- Personal or Social Tragedy? A Close Reading of Edith Wharton's "Ethan Frome"
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10.3.R.7 |
Form opinions and make judgments about literary works, by analyzing and evaluating texts from more than one critical perspective, such as cultural and historical |
- Kate Chopin's The Awakening: Searching for Women and Identity in Chopin's The Awakening
- Kate Chopin's "The Awakening:" No Choice But Under?
- Kate Chopin's "The Awakening" : Chopin, Realism, and Local Color in late 19th Century America
- Quest for the American Dream in "A Raisin in the Sun"
- Faulkner's "As I Lay Dying": Images of Faulkner and the South
- Faulkner's "As I Lay Dying": Burying Addie's Voice
- Critical Ways of Seeing The Adventures of Huckleberry Finn in Context
- In Literature, Interpretation Is the Thing
- Id, Ego, and Superego in Dr. Seuss's "Cat in the Hat"
- Mental Health Through Literature
- Faulkner's "The Sound and the Fury": Narration, Voice, and the Compson Family's New System
- Analyzing Poetic Devices: Robert Hayden's "Those Winter Sundays" and Theodore Roethke's "My Papa's Waltz"
- Analyzing a Visual Message: Student Interactive
- Analyzing the Stylistic Choices of Political Cartoonists
- Carl Sandburg's "Chicago": Bringing a Great City Alive
- Critical Literacy: Women in 19th-Century Literature
- Death in Poetry: A. E. Housman's "To an Athlete Dying Young" and Dylan Thomas' "Do Not Go Gentle into That Good Night"
- From Dr. Seuss to Jonathan Swift: Exploring the History Behind the Satire
- Introducing Jane Eyre: An Unlikely Victorian Heroine
- Nathaniel Hawthorne and Literary Humor
- Persuading an Audience: Writing Effective Letters to the Editor
- The Campaign of 1840: The Campaign
- The Children's Picture Book Project
- Thinking Inductively: A Close Reading of Seamus Heaney's "Blackberry Picking"
- When Less IS More-Understanding Minimalist Fiction
- Pearl S. Buck: "On Discovering America"
- Think-Aloud Predictions for "Young Goodman Brown": Student Interactive
- Comparing a Literary Work to Its Film Interpretation
- Crane, London, and Literary Naturalism
- A "Brief, Urgent Message": Theme in "Slaughterhouse-Five"
- Creating Better Presentation Slides through Glance Media and Billboard Design
- Designing Museum Exhibits for "The Grapes of Wrath": A Multigenre Project
- Language and Power in "The Handmaid's Tale" and the World
- Narrative Structure and Perspectives in Toni Morrison's "Beloved"
- Personal or Social Tragedy? A Close Reading of Edith Wharton's "Ethan Frome"
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10.3.R.8 |
Select, reject, and reconcile ideas and information in light of beliefs |
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10.3.R.9 |
Make judgments about the quality of literary texts and performances by applying personal and academic criteria, such as that found in literary criticism |
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Standard One
Standard Two
Standard Three
Standard Four
Literary Competencies
Top
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Standard 4: Students will read, write, listen, and speak for social interaction. |
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10.4.R.1 |
Share reading experiences with a peer or adult; for example, read together silently or aloud, or discuss reactions to texts |
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10.4.R.2 |
Consider the age, gender, social position, and cultural traditions of the writer |
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10.4.R.3 |
Recognize the types of language (e.g., informal vocabulary, culture-specific terminology, jargon, colloquialisms, and email conventions) that are appropriate to social communication |
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Standard One
Standard Two
Standard Three
Standard Four
Literary Competencies
Top
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Literacy Competencies |
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10.LC.R.0 |
Reading A literacy competency strand for grades 9-12 Reading is under development and will be posted when available. |
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